Archive for the 'Richard III' Category
• June 17, 2014 •
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Posted in career, collateral attractions, fantasy, John Proctor, me, medieval, reality, Richard Armitage, Richard III, The Crucible
Tags: John Proctor, Richard Armitage, Richard III, The Crucible
• April 3, 2014 •
34 Comments
Posted in Armitage on Armitage, dwarves, Guy of Gisborne, liking food, Peter Jackson, Richard Armitage, Richard III, Robin Hood, singing, The Desolation of Smaug, The Hobbit, the hype, theatre theatre, Thorin Oakenshield
Tags: cheese, Richard Armitage
• April 2, 2014 •
11 Comments
Posted in Armitage as mirror, Armitage on Armitage, career, dwarves, filmmaking, humility, liking food, me, Peter Jackson, Richard Armitage, Richard III, silliness, singing, The Battle of the Five Armies, The Desolation of Smaug, the ethics, The Hobbit, the hype, the real Armitage, Thorin Oakenshield
Tags: Richard Armitage
• March 12, 2013 •
48 Comments
Posted in Armitage as victim, Armitageworld dogmas, capitalism, fanfic, fans, me, morality / ethics / norms, Richard Armitage, Richard III, silliness, the hype
Tags: Richard Armitage, Richard III, spoof
• December 3, 2012 •
10 Comments
Posted in #ArmitageWatch, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, career, fans, fanvids, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, The Hobbit, the hype, The Sunne in Splendour, why Armitage?, Why me?
• November 26, 2012 •
17 Comments
Posted in #ArmitageWatch, absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fans, fantasy, gratitude, humility, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard III, The Hobbit, the hype, the real Armitage, The Sunne in Splendour, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
