Posted in acting, audiobooks, career, Chop, fans, Gary, Guy of Gisborne, Hamlet, Into the Storm / Black Sky, John Porter, John Proctor, joy, loss, me, reality, Richard Armitage, Robin Hood, selfies, status transactions, Strike Back, The Desolation of Smaug, The Hobbit, Thorin Oakenshield, Urban and the Shed Crew
Tags: fan selfies, Guy of Gisborne, Hamlet, me, Richard Armitage, Strike Back, The Crucible, writing
Posted in Armitage as victim, Armitage's body, career, Guy of Gisborne, heterosexual utopias, John Proctor, objectification, Richard Armitage, Robin Hood, The Crucible, the shoulders, why Armitage?
Tags: Guy of Gisborne, John Proctor, Richard Armitage, Robin Hood, shoulder, The Crucible
Posted in fanfic, fans, fantasy, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Porter, Margaret Hale, me, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Strike Back
Tags: fanfiction, Guy of Gisborne, John Porter, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Strike Back
Posted in Armitage on Armitage, dwarves, Guy of Gisborne, liking food, Peter Jackson, Richard Armitage, Richard III, Robin Hood, singing, The Desolation of Smaug, The Hobbit, the hype, theatre theatre, Thorin Oakenshield
Tags: cheese, Richard Armitage
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
Posted in Guy of Gisborne, me, reality, Richard Armitage, Robin Hood
Tags: BBC, Guy of Gisborne, Richard Armitage, Robin Hood
Posted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
Posted in *ooof*, Guy of Gisborne, Guylty, Harry Kennedy, John Bateman, John Porter, Lucas North, Margaret Hale, Maya Lahan, Meg, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Spooks, Strike Back, Vicar of Dibley
Tags: *ooof*, guylty, Richard Armitage
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work