Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Daniela Denby-Ashe, fans, fantasy, heterosexual dystopias, heterosexual utopias, Into the Storm / Black Sky, me, Mr. Thornton, North & South, objectification, Richard Armitage, Robin Hood, self-parody, silliness, Spooks, Strike Back, the beard, the fingers, the hands, The Hobbit, the hype, the skin, the stubble, the thumbs, Thorin Oakenshield, why Armitage?, Why me?
Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, fan art, fans, fantasy, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, John Standring, joy, me, medieval, objectification, redemption, Richard Armitage, Richard III, self-parody, silliness, the beard, the energy, the fingers, the hands, The Hobbit, the hype, the real Armitage, the thumbs, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in action, Armitage as victim, career, fans, fantasy, heterosexual dystopias, humiliation, John Bateman, joy, me, morality / ethics / norms, objectification, Richard Armitage, self-parody, silliness, Spooks, the beard, the chin, The Hobbit, the hype, Thorin Oakenshield, violence, why Armitage?, Why me?
Posted in Armitage as victim, fans, fantasy, gratitude, heterosexual dystopias, heterosexual utopias, me, morality / ethics / norms, objectification, Richard Armitage, self-parody, silliness, the competition
Posted in Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, fans, fantasy, heterosexual dystopias, humiliation, John Porter, me, objectification, Richard Armitage, self-parody, silliness, the competition, the hair, The Hobbit, the nose, Thorin Oakenshield
Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, Captain America, fans, fantasy, Heinz Kruger, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, joy, me, morality / ethics / norms, musical theatre, Richard Armitage, self-parody, silliness, Sparkhouse, Strike Back, the accent, why Armitage?, Why me?
Posted in fantasy, John Standring, me, polls, reality, Richard Armitage, self-parody, silliness, Sparkhouse, The Hobbit, Thorin Oakenshield
Posted in accents, acting, Alex Track, Angus, Armitageworld dogmas, career, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, Lee, Lucas North, Macduff, me, morality / ethics / norms, Mr. Thornton, Peter Macduff, polls, pronunciation, reality, Richard Armitage, Ricky Deeming, Robin Hood, self-parody, silliness, Steven, The Hobbit, the real Armitage, Thorin Oakenshield, voice work
Posted in Armitageworld dogmas, career, fans, fantasy, humility, me, medieval, morality / ethics / norms, redemption, Richard Armitage, Richard III, self-parody, silliness, the face
Posted in acting, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, joy, me, medieval, Richard Armitage, Richard III, self-parody, silliness, the beard, the hair, The Hobbit, the nose, the stubble, Thorin Oakenshield