Archive for the 'Shakespeare Retold' Category
• January 13, 2013 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
• March 7, 2012 •
9 Comments
Posted in acting, Armitage as mirror, humiliation, Macduff, me, morality / ethics / norms, order / disorder, Peter Macduff, Richard Armitage, Shakespeare Retold, ShakespeaRE-Told, thinking / feeling, violence, why Armitage?, Why me?, work
• November 18, 2011 •
63 Comments
Posted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?
• November 7, 2011 •
41 Comments
Posted in acting, Alex Track, Angus, Armitage on Armitage, Armitageworld dogmas, Captain America, career, Cleopatra, Epiphanes, fans, fantasy, George Gently, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Porter, John Standring, loss, Lucas North, Macbeth, Macduff, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Turner, Richard Armitage, Ricky Deeming, Robin Hood, Sarah Caulfield, Shakespeare Retold, silliness, Sparkhouse, Spooks, squee, Strike Back, the arms, the eyes, the face, the fingers, the hands, The Hobbit, the thumbs, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?
• October 10, 2011 •
20 Comments
Posted in Between the Sheets, Claude Monet, Dawn French, fantasy, fanvids, Genevieve O'Reilly, Geraldine Granger, gratitude, Harry Kennedy, heterosexual dystopias, heterosexual utopias, John Mulligan, joy, liking food, Lucas North, Macduff, me, Moving On, Mr. Thornton, North & South, Paul Andrews, Peter Macduff, Richard Armitage, Sarah Caulfield, Shakespeare Retold, silliness, Spooks, The Impressionists, the smile, Vicar of Dibley
• September 22, 2011 •
98 Comments
Posted in acting, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, fantasy, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Bateman, John Porter, John Standring, joy, Lucas North, Macduff, Margaret Hale, Maya Lahan, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Durrant, redemption, Richard Armitage, Robin Hood, Shakespeare Retold, Sparkhouse, Spooks, Strike Back, teacups, the eyes, the fingers, the hands, The Impressionists, thinking / feeling, why Armitage?, Why me?
• September 11, 2011 •
16 Comments
Posted in acting, Armitage as victim, Claude Monet, Dawn French, fans, fanvids, Geraldine Granger, Guy of Gisborne, Harry Kennedy, John Porter, Lucas North, Macbeth, Macduff, me, Paul Andrews, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, silliness, Spooks, Strike Back, the face, The Impressionists, the jaw, the mouth, the voice, Vicar of Dibley, why Armitage?
• September 6, 2011 •
26 Comments
Posted in acting, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, fan showcase, fans, fantasy, Guy of Gisborne, Harry Kennedy, humiliation, humility, Macbeth, Macduff, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, reality, Richard Armitage, Robin Hood, Shakespeare Retold, silliness, Sparkhouse, squee, thinking / feeling, Vicar of Dibley, why Armitage?
Tags: acting, fan showcase, fandom, fans, Guy of Gisborne, Harry Kennedy, Macbeth, Macduff, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Vicar of Dibley
• July 2, 2011 •
35 Comments
Posted in audiobooks, career, fans, Gaskell, Georgette Heyer, joy, Malice Aforethought, Miss Marple: Ordeal by Innocence, North & South, reality, Richard Armitage, Robin Hood, Shakespeare Retold, Spooks, Strike Back, Sylvester, The Convenient Marriage, The Hobbit, The Impressionists, Venetia, Vicar of Dibley
• April 25, 2011 •
21 Comments
Posted in acting, Armitage's body, career, dance, fantasy, gestures, gravitas, Guy of Gisborne, John Porter, John Standring, joy, Lucas North, Macduff, me, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Shakespeare Retold, Sparkhouse, Spooks, squee, Strike Back, the chin, the face, The Hobbit, the jaw, the mouth, the nose, the stubble, the teeth, Thorin Oakenshield
Me + Richard Armitage 