Archive for the 'singing' Category
• April 3, 2014 •
34 Comments
Posted in Armitage on Armitage, dwarves, Guy of Gisborne, liking food, Peter Jackson, Richard Armitage, Richard III, Robin Hood, singing, The Desolation of Smaug, The Hobbit, the hype, theatre theatre, Thorin Oakenshield
Tags: cheese, Richard Armitage
• April 2, 2014 •
11 Comments
Posted in Armitage as mirror, Armitage on Armitage, career, dwarves, filmmaking, humility, liking food, me, Peter Jackson, Richard Armitage, Richard III, silliness, singing, The Battle of the Five Armies, The Desolation of Smaug, the ethics, The Hobbit, the hype, the real Armitage, Thorin Oakenshield
Tags: Richard Armitage
• March 1, 2013 •
18 Comments
Posted in Armitage as victim, attempts at bravery, fan art, fans, fanvids, heterosexual utopias, objectification, Richard Armitage, silliness, singing, Uncategorized
Tags: fans, Richard Armitage
• November 29, 2012 •
24 Comments
Posted in acting, capitalism, career, collateral attractions, dwarves, evil, fans, fantasy, filmmaking, joy, loss, me, Peter Jackson, polls, reality, Richard Armitage, silliness, singing, swords, the beard, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, why Armitage?
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 18, 2012 •
12 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Guy of Gisborne, Into the Storm / Black Sky, John Porter, joy, Legenda: Stuff worth reading, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, Richard Armitage, Robin Hood, silliness, singing, Strike Back, the booty, the clothes, the competition, The Hobbit, the hype, the shoes, Thorin Oakenshield, violence, why Armitage?, Why me?
• November 17, 2012 •
94 Comments
Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
• November 13, 2012 •
44 Comments
Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, capitalism, Claude Monet, collateral attractions, fans, Guy of Gisborne, humility, if I could interview Mr. Armitage, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, singing, status transactions, The Armitage Army, The Hobbit, the hype, The Impressionists, thinking / feeling, why Armitage?, Why me?
• November 1, 2012 •
2 Comments
Posted in acting, Armitage as victim, Armitage on Armitage, capitalism, career, dwarves, fans, fantasy, if I could interview Mr. Armitage, joy, me, objectification, reality, Richard Armitage, silliness, singing, squee, The Hobbit, the hype, the voice, Thorin Oakenshield, voice work, why Armitage?
Me + Richard Armitage 