Archive for the 'sprezzatura' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
26 Comments
Posted in acting, collateral attractions, gestures, Lee Pace, morality / ethics / norms, Richard Armitage, sprezzatura, status transactions
Tags: Halt and Catch Fire, Joe MacMillan, Lee Pace
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• October 24, 2013 •
46 Comments
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• December 22, 2012 •
29 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: Richard Armitage
• December 5, 2012 •
224 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
• December 3, 2012 •
29 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• December 3, 2012 •
16 Comments
Posted in Armitage as mirror, fans, fear, flow, gratitude, humiliation, humility, if I could interview Mr. Armitage, loss, me, morality / ethics / norms, order / disorder, reality, redemption, resentment, Richard Armitage, sprezzatura, swords, The Hobbit, the hype, thinking / feeling, violence, why Armitage?, Why me?
• November 30, 2012 •
49 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the fingers, the hands, The Hobbit, the hype, the thumbs, why Armitage?, Why me?
• November 30, 2012 •
40 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Me + Richard Armitage 