Archive for the 'status transactions' Category
• August 17, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, fans, Gary, Hamlet, Into the Storm / Black Sky, John Proctor, me, morality / ethics / norms, reality, resentment, Richard Armitage, status transactions, The Crucible, thinking / feeling
Tags: fans, me, objectivity, reviews, Richard Armitage
• July 8, 2014 •
7 Comments
Posted in acting, audiobooks, career, Chop, fans, Gary, Guy of Gisborne, Hamlet, Into the Storm / Black Sky, John Porter, John Proctor, joy, loss, me, reality, Richard Armitage, Robin Hood, selfies, status transactions, Strike Back, The Desolation of Smaug, The Hobbit, Thorin Oakenshield, Urban and the Shed Crew
Tags: fan selfies, Guy of Gisborne, Hamlet, me, Richard Armitage, Strike Back, The Crucible, writing
• June 20, 2014 •
32 Comments
Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
Tags: Bay Psalm Book, cruelty, John Proctor, Richard Armitage, The Crucible
• June 15, 2014 •
10 Comments
Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
Tags: Arthur Miller, genocide, Hannah Arendt, John Proctor, Richard Armitage, The Crucible, totalitarianism, Yael Farber
• June 10, 2014 •
12 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, if I could interview Mr. Armitage, John Proctor, joy, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, status transactions, The Crucible, the ethics, the real Armitage, theatre theatre, why Armitage?, Why me?, work
Tags: fans, John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
26 Comments
Posted in acting, collateral attractions, gestures, Lee Pace, morality / ethics / norms, Richard Armitage, sprezzatura, status transactions
Tags: Halt and Catch Fire, Joe MacMillan, Lee Pace
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• October 26, 2013 •
69 Comments
Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Me + Richard Armitage 