Archive for the 'The Armitage Army' Category
A great evening at the TORn party in Wellington
• December 2, 2012 • 13 CommentsPosted in acting, collateral attractions, dwarves, fan art, fan showcase, fans, fantasy, gratitude, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, WETA workshop
Richard Armitage + Claude Monet retrospective
• November 13, 2012 • 44 CommentsPosted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, capitalism, Claude Monet, collateral attractions, fans, Guy of Gisborne, humility, if I could interview Mr. Armitage, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, singing, status transactions, The Armitage Army, The Hobbit, the hype, The Impressionists, thinking / feeling, why Armitage?, Why me?
Losing Armitage? or Thorin aches and pains, part 1
• October 20, 2012 • 36 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, career, Daniela Denby-Ashe, fan art, fanfic, fans, fantasy, fanvids, fear, flow, forgiveness, gratitude, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, The Armitage Army, the competition, The Hobbit, the hype, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Legenda 47: stuff worth reading
• October 6, 2012 • 39 CommentsPosted in #ArmitageWatch, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, collateral attractions, dance, dwarves, fan art, fanfic, fans, fantasy, fanvids, forgiveness, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Porter, Legenda: Stuff worth reading, liking food, Margaret Hale, Marian, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, reality, Richard Armitage, Richard Armitage Online, RichardArmitageNet.com, Robin Hood, sex, silliness, Strike Back, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?, Why me?
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Armitage Day is August 22: Reminders!
• August 17, 2012 • 11 CommentsPosted in absolute utter unadulterated joy!, anger, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, career, fan art, fans, fantasy, fanvids, flow, forgiveness, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, joy, loss, me, morality / ethics / norms, reality, redemption, Richard Armitage, Richard Armitage Central, Richard III, silliness, The Armitage Army, the Armitage morass, the hype, thinking / feeling, why Armitage?
Stay away from Armitage! The “C” reading and conclusion
• August 8, 2012 • 74 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, fans, fear, flow, gratitude, Heinz Kruger, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, joy, Legenda: Stuff worth reading, Lucas North, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, silliness, squee, status transactions, Strike Back, The Armitage Army, the competition, The Hobbit, the hype, the real Armitage, The Rovers, theatre theatre, thinking / feeling, Thorin Oakenshield, Use Me as Your Cardigan, why Armitage?, Why me?, work
Stay away from Armitage! The “B” reading
• August 8, 2012 • 11 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Cats, collateral attractions, dance, fans, fear, flow, gratitude, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, Lucas North, me, morality / ethics / norms, musical theatre, objectification, reality, Richard Armitage, Richard Armitage Central, Richard Armitage Online, silliness, Spooks, Strike Back, The Armitage Army, the competition, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Fan showcase: Gisbornesboy (part 1)
• July 30, 2012 • 78 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Cold Feet, collateral attractions, fan art, fanfic, fans, fantasy, fear, flow, forgiveness, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, joy, Lee, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, Strike Back, The Armitage Army, the competition, the energy, the eyes, The Hobbit, the kisses, the mouth, the real Armitage, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?, work
See, Richard Armitage can look whimsical
• July 16, 2012 • 32 CommentsPosted in Armitage as victim, Armitage's body, Armitageworld dogmas, fans, if I could interview Mr. Armitage, interiority, joy, me, objectification, Peter Jackson, reality, Richard Armitage, Richard Armitage Central, silliness, The Armitage Army, the clothes, the energy, The Hobbit, the hype, Thorin Oakenshield, why Armitage?, work