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Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Cats, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, Heinz Kruger, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Standring, joy, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, order / disorder, overwork, Peter Jackson, polls, reality, redemption, Richard Armitage, silliness, Sparkhouse, Spooks, the Armitage morass, the circus, the competition, the energy, the eyes, the face, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Between the Sheets, career, Cleopatra, Cold Feet, Epiphanes, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lee, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, sex, the circus, the clothes, the ears, the mouth, the muscles, the shoes, Ultimate Force, why Armitage?, Why me?, work