Archive for the 'the circus' Category
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 17, 2012 •
94 Comments
Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
• June 28, 2012 •
70 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Cats, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, Heinz Kruger, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Standring, joy, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, order / disorder, overwork, Peter Jackson, polls, reality, redemption, Richard Armitage, silliness, Sparkhouse, Spooks, the Armitage morass, the circus, the competition, the energy, the eyes, the face, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?, work
• March 26, 2012 •
16 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Between the Sheets, career, Cleopatra, Cold Feet, Epiphanes, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lee, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, sex, the circus, the clothes, the ears, the mouth, the muscles, the shoes, Ultimate Force, why Armitage?, Why me?, work
