Archive for the 'the energy' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
33 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
42 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• May 26, 2014 •
87 Comments
Posted in Armitage as mirror, Armitage's body, Armitageworld dogmas, Chop, fantasy, Gary, gestures, Into the Storm / Black Sky, me, Richard Armitage, the clothes, the energy, the forearms, the legs, the shoes, Urban and the Shed Crew, why Armitage?, Why me?
Tags: Chop, Gary Fuller, Into the Storm, Richard Armitage, Urban and the Shed Crew
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
• October 24, 2013 •
31 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
• October 24, 2013 •
50 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, fear, flow, forgiveness, gratitude, humiliation, humility, if I could interview Mr. Armitage, joy, loss, Lucas North, me, morality / ethics / norms, reality, redemption, Richard Armitage, Spooks, the energy, The Hobbit, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: audition, Lucas North, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• October 24, 2013 •
46 Comments
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• October 23, 2013 •
20 Comments
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, career, filmmaking, flow, gestures, gratitude, gravitas, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, silliness, the energy, the ethics, The Hobbit, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: me, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield, work
Me + Richard Armitage 