Archive for the 'the eyes' Category
• August 20, 2014 •
4 Comments
Posted in Gary, gestures, gravitas, heterosexual utopias, Into the Storm / Black Sky, joy, Richard Armitage, squee, the eyes, the face, the smile
Tags: Gary Fuller, Into the Storm, Max Deacon, Nathan Kress, Richard Armitage
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
33 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
42 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 10, 2014 •
27 Comments
Posted in Armitage's body, fans, heterosexual utopias, humility, John Proctor, joy, me, objectification, Richard Armitage, squee, The Crucible, the eyes, why Armitage?
Tags: eyelashes, John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
3 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
32 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• November 10, 2013 •
31 Comments
Posted in acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, fantasy, gestures, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, me, reality, Richard Armitage, sex, silliness, Strike Back, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: fans, Richard Armitage, Strike Back, Strike Back: Origins, the hobbit, Thorin Oakenshield
Me + Richard Armitage 