Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
Posted in Armitage's body, career, gravitas, reality, Richard Armitage, squee, the clothes, the energy, the eyes, the face, the hair, the hype, the smolder
Tags: Richard Armitage
Posted in comedy, dwarves, fan art, fans, humiliation, Peter Jackson, Richard Armitage, silliness, swords, the face, the fingers, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: airguitar, Richard Armitage, Tannni, The Hobbit: The Desolation of Smaug, Thorin Oakenshield
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Posted in capitalism, career, fans, fantasy, fear, flow, forgiveness, if I could interview Mr. Armitage, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, reality, redemption, Richard Armitage, silliness, the eyes, the face, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work