Archive for the 'the hair' Category
• June 20, 2014 •
19 Comments
Posted in Armitage's body, heterosexual utopias, John Proctor, Richard Armitage, silliness, The Crucible, the hair, the hype
Tags: John Proctor, nape curls, Richard Armitage, Samantha Colley, The Crucible
• June 16, 2014 •
33 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
42 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
3 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
32 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• November 10, 2013 •
31 Comments
Posted in acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, fantasy, gestures, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, me, reality, Richard Armitage, sex, silliness, Strike Back, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: fans, Richard Armitage, Strike Back, Strike Back: Origins, the hobbit, Thorin Oakenshield
• September 30, 2013 •
47 Comments
Posted in Armitage's body, career, gravitas, reality, Richard Armitage, squee, the clothes, the energy, the eyes, the face, the hair, the hype, the smolder
Tags: Richard Armitage
• July 2, 2013 •
21 Comments
Posted in comedy, dwarves, fan art, fans, humiliation, Peter Jackson, Richard Armitage, silliness, swords, the face, the fingers, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: airguitar, Richard Armitage, Tannni, The Hobbit: The Desolation of Smaug, Thorin Oakenshield
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• December 30, 2012 •
54 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
Me + Richard Armitage 