Archive for the 'the hands' Category
• December 3, 2012 •
29 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• November 30, 2012 •
49 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the fingers, the hands, The Hobbit, the hype, the thumbs, why Armitage?, Why me?
• November 28, 2012 •
22 Comments
Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?
• November 28, 2012 •
28 Comments
Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?
• November 27, 2012 •
18 Comments
Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, the booty, the hands, the hips, The Hobbit, the hype, the legs, the muscles, the shoes, why Armitage?
• November 25, 2012 •
117 Comments
Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, heterosexual utopias, me, objectification, reality, Richard Armitage, silliness, squee, the beard, the chin, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the legs, the shoes, the stubble, why Armitage?
• November 24, 2012 •
11 Comments
Posted in Armitage as mirror, Armitage as victim, Armitageworld dogmas, capitalism, career, fans, fantasy, fanvids, filmmaking, gestures, gravitas, heterosexual utopias, if I could interview Mr. Armitage, joy, liking food, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, the arms, the forearms, the hands, The Hobbit, the hype, the thumbs, thinking / feeling, why Armitage?, Why me?
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 16, 2012 •
14 Comments
Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
• November 15, 2012 •
20 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gratitude, heterosexual utopias, humiliation, humility, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, Strike Back, the arms, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, thinking / feeling, violence, why Armitage?, Why me?, work
