Archive for the 'the kisses' Category
• October 24, 2013 •
31 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 12, 2012 •
5 Comments
Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, objectification, osculation, polls, reality, resentment, Richard Armitage, Richard III, sex, silliness, status transactions, swords, the energy, the eyes, the fingers, the hands, The Hobbit, the hype, the kisses, the mouth, The Sunne in Splendour, Thorin Oakenshield, violence, why Armitage?
• October 22, 2012 •
3 Comments
Posted in #ArmitageWatch, accents, acting, anger, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fans, fantasy, fear, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, silliness, status transactions, the hype, the kisses, The Sunne in Splendour, why Armitage?, Why me?
• October 10, 2012 • Enter your password to view comments.
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fanfic, fantasy, flow, heterosexual utopias, Into the Storm / Black Sky, joy, Lee, me, objectification, overwork, Richard Armitage, sex, silliness, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, the hips, the kisses, the lips, the mouth, the thumbs, thinking / feeling, why Armitage?, Why me?, work
• September 7, 2012 •
39 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, osculation, Percy Courtenay, Richard Armitage, sex, silliness, squee, the energy, the kisses, the mouth, the real Armitage, why Armitage?, Why me?
• August 13, 2012 •
22 Comments
Posted in anger, Armitage as mirror, Armitage as victim, fantasy, fear, gratitude, heterosexual dystopias, heterosexual utopias, humility, John Porter, John Standring, loss, me, morality / ethics / norms, off topic, reality, Richard Armitage, Sparkhouse, Strike Back, the kisses, thinking / feeling, why Armitage?, Why me?
• August 12, 2012 • Enter your password to view comments.
Posted in anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, fanfic, fantasy, fear, flow, grapefruit, heterosexual dystopias, heterosexual utopias, humiliation, Lucas North, me, morality / ethics / norms, objectification, Richard Armitage, sex, the kisses, the lips, the mouth, the teeth, thinking / feeling, why Armitage?, Why me?
• August 6, 2012 • Enter your password to view comments.
Posted in anger, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, fear, flow, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, joy, loss, me, morality / ethics / norms, objectification, order / disorder, osculation, overwork, redemption, Richard Armitage, sex, silliness, the face, the fingers, the kisses, the legs, the lips, the mouth, the nose, the teeth, the tongue, thinking / feeling, why Armitage?, Why me?, work
• July 31, 2012 •
77 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, collateral attractions, fan art, fan showcase, fans, fantasy, flow, forgiveness, gratitude, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Standring, joy, Lucas North, Marian, me, morality / ethics / norms, objectification, osculation, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, the Armitage morass, the beard, the energy, the eyes, the kisses, the real Armitage, thinking / feeling, why Armitage?, Why me?, work
Me + Richard Armitage 