Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, fans, fantasy, gratitude, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard Armitage Online, RichardArmitageNet.com, silliness, the clothes, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gratitude, heterosexual utopias, humiliation, humility, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, Strike Back, the arms, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, thinking / feeling, violence, why Armitage?, Why me?, work
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, heterosexual utopias, loss, Lucas North, me, objectification, redemption, resentment, Richard Armitage, silliness, Spooks, the chin, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the profile, why Armitage?, Why me?
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Posted in anger, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Cats, collateral attractions, dance, disgust, dwarves, fan art, fanfic, fans, fantasy, Guy of Gisborne, heterosexual utopias, humility, John Porter, John Standring, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, resentment, Richard Armitage, Robin Hood, silliness, status transactions, Strike Back, the energy, the eyes, the face, the forearms, The Hobbit, the hype, the lips, the mouth, the teeth, thinking / feeling, Thorin Oakenshield, Uncategorized, why Armitage?, Why me?
Posted in anger, attempts at bravery, disgust, fear, humiliation, loss, me, morality / ethics / norms, reality, resentment, Richard Armitage, silliness, status transactions, the energy, the eyes, the face, the fingers, the forearms, the forehead, the lips, the mouth, the nose, the smile, thinking / feeling, violence, why Armitage?, Why me?, work