Archive for the 'the mouth' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
3 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
32 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• November 30, 2012 •
9 Comments
Posted in Armitage's body, career, collateral attractions, dwarves, fans, fantasy, forgiveness, gestures, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, the beard, the chin, the energy, the eyes, the hair, The Hobbit, the hype, the jaw, the mouth, Thorin Oakenshield, why Armitage?
• November 28, 2012 •
22 Comments
Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?
• November 25, 2012 •
25 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, fans, fantasy, gratitude, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard Armitage Online, RichardArmitageNet.com, silliness, the clothes, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 15, 2012 •
20 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gratitude, heterosexual utopias, humiliation, humility, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, Strike Back, the arms, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, thinking / feeling, violence, why Armitage?, Why me?, work
Me + Richard Armitage 