Archive for the 'the nose' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
33 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
42 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• November 28, 2012 •
28 Comments
Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?
• November 16, 2012 •
14 Comments
Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
• November 15, 2012 •
20 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gratitude, heterosexual utopias, humiliation, humility, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, Strike Back, the arms, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, thinking / feeling, violence, why Armitage?, Why me?, work
• October 30, 2012 •
14 Comments
Posted in anger, attempts at bravery, disgust, fear, humiliation, loss, me, morality / ethics / norms, reality, resentment, Richard Armitage, silliness, status transactions, the energy, the eyes, the face, the fingers, the forearms, the forehead, the lips, the mouth, the nose, the smile, thinking / feeling, violence, why Armitage?, Why me?, work
• October 25, 2012 •
15 Comments
Posted in #ArmitageWatch, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, fans, fantasy, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, redemption, resentment, Richard Armitage, silliness, Strike Back, the ears, the energy, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the nose, the profile, the skin, thinking / feeling, why Armitage?, Why me?
• October 17, 2012 •
14 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
Me + Richard Armitage 