Archive for the 'the profile' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• November 16, 2012 •
14 Comments
Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
• November 14, 2012 •
42 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, heterosexual utopias, loss, Lucas North, me, objectification, redemption, resentment, Richard Armitage, silliness, Spooks, the chin, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the profile, why Armitage?, Why me?
• October 25, 2012 •
15 Comments
Posted in #ArmitageWatch, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, fans, fantasy, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, redemption, resentment, Richard Armitage, silliness, Strike Back, the ears, the energy, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the nose, the profile, the skin, thinking / feeling, why Armitage?, Why me?
• October 17, 2012 •
14 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
• October 11, 2012 •
21 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, gestures, if I could interview Mr. Armitage, John Bateman, liking food, Lucas North, me, objectification, reality, redemption, Richard Armitage, silliness, Spooks, the arms, the ears, the eyes, the face, the fingers, the forearms, the hair, the hands, the lips, the mouth, the nose, the profile, why Armitage?, Why me?
• September 28, 2012 •
28 Comments
Posted in acting, action, Armitage's body, gestures, Guy of Gisborne, humiliation, me, objectification, Richard Armitage, Robin Hood, the chin, the energy, the eyes, the face, the hair, the jaw, the lips, the mouth, the muscles, the nose, the profile, the teeth, violence, why Armitage?
• September 25, 2012 •
12 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, flow, forgiveness, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, loss, me, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the arms, the energy, the face, the hair, the lips, the mouth, the muscles, the nose, the profile, the shoulders, thinking / feeling, why Armitage?, Why me?
• September 22, 2012 •
27 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dance, fans, fantasy, flow, gestures, gravitas, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, sprezzatura, status transactions, Strike Back, swords, the beard, the chin, the energy, the eyes, the face, the hands, The Hobbit, the hype, the jaw, the legs, the profile, the voice, thinking / feeling, Thorin Oakenshield, violence, voice work, why Armitage?, Why me?
Me + Richard Armitage 