Archive for the 'the shoulders' Category
• June 16, 2014 •
33 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
42 Comments
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 13, 2014 •
10 Comments
Posted in Armitage as victim, Armitage's body, career, Guy of Gisborne, heterosexual utopias, John Proctor, objectification, Richard Armitage, Robin Hood, The Crucible, the shoulders, why Armitage?
Tags: Guy of Gisborne, John Proctor, Richard Armitage, Robin Hood, shoulder, The Crucible
• November 30, 2012 •
40 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 23, 2012 •
95 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, Captain America, career, dwarves, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, John Porter, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, Robin Hood, silliness, Strike Back, The Hobbit, the hype, the shoulders, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• September 25, 2012 •
12 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, flow, forgiveness, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, loss, me, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the arms, the energy, the face, the hair, the lips, the mouth, the muscles, the nose, the profile, the shoulders, thinking / feeling, why Armitage?, Why me?
• September 14, 2012 •
21 Comments
Posted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Claude Monet, fantasy, fear, flow, forgiveness, Gently Go Man, George Gently, gratitude, Guy of Gisborne, Holliday Grainger, humiliation, humility, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, loss, Lucas North, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Ricky Deeming, Robin Hood, Sparkhouse, Spooks, Strike Back, the Armitage morass, the beard, the energy, the eyes, the face, the hair, the hands, The Hobbit, The Impressionists, the jaw, the shoulders, Thorin Oakenshield, why Armitage?, Why me?, work
• September 4, 2012 •
33 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, humiliation, humility, if I could interview Mr. Armitage, John Bateman, John Porter, joy, loss, Lucas North, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, reality, redemption, Richard Armitage, Robin Hood, Spooks, Strike Back, the beard, the clothes, the energy, the eyes, the face, the feet, the forearms, the hair, the hands, The Hobbit, the hype, the jaw, the legs, the muscles, the nose, the profile, the shoes, the shoulders, the thumbs, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
• September 3, 2012 •
10 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gestures, gratitude, gravitas, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, squee, status transactions, Strike Back, the Armitage morass, the arms, the beard, the clothes, the energy, the eyes, the face, the fingers, the hair, the hands, The Hobbit, the hype, the jaw, the nose, the profile, the shoes, the shoulders, the smolder, the stubble, the thumbs, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
• July 27, 2012 •
21 Comments
Posted in Armitage as victim, Armitage's body, fan art, fans, fantasy, heterosexual utopias, joy, me, objectification, Richard Armitage, silliness, the beard, the clothes, the energy, the face, the forearms, the hair, the hips, the hype, the shoulders, why Armitage?, Why me?
