Posted in #ArmitageWatch, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, fans, fantasy, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, redemption, resentment, Richard Armitage, silliness, Strike Back, the ears, the energy, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the nose, the profile, the skin, thinking / feeling, why Armitage?, Why me?
Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
Posted in Armitage as victim, Armitage's body, capitalism, career, fans, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, reality, Richard Armitage, RichardArmitageNet.com, silliness, the beard, the booty, the clothes, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the nose, the skin, the smile, the thumbs, Thorin Oakenshield, why Armitage?, Why me?
Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Daniela Denby-Ashe, fans, fantasy, heterosexual dystopias, heterosexual utopias, Into the Storm / Black Sky, me, Mr. Thornton, North & South, objectification, Richard Armitage, Robin Hood, self-parody, silliness, Spooks, Strike Back, the beard, the fingers, the hands, The Hobbit, the hype, the skin, the stubble, the thumbs, Thorin Oakenshield, why Armitage?, Why me?
Posted in acting, anger, Armitage as mirror, Armitage's body, Armitageworld dogmas, Between the Sheets, career, fan art, fans, fantasy, flow, gratitude, heterosexual dystopias, heterosexual utopias, John Standring, loss, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Sparkhouse, the Armitage morass, the beard, the chin, the ears, the eyes, the face, the hair, The Hobbit, the jaw, the mouth, the nose, the profile, the real Armitage, the skin, thinking / feeling, why Armitage?, Why me?
Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, John Bateman, joy, Laila Rouass, Lucas North, Maya Lahan, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, Spooks, the arms, the chin, the clothes, the ears, the eyes, the face, the hair, the jaw, the lips, the mouth, the nose, the profile, the shoulders, the skin, the stubble, the teeth, thinking / feeling, why Armitage?, Why me?
Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, career, collateral attractions, Daniela Denby-Ashe, fans, fantasy, flow, forgiveness, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, objectification, overwork, reality, redemption, Richard Armitage, sex, Sinead Cusack, the arms, the chin, the clothes, the competition, the ears, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the jaw, the legs, the lips, the mouth, the muscles, the nose, the profile, the shoulders, the skin, the smile, the smolder, the stubble, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, gestures, gratitude, heterosexual utopias, humility, me, morality / ethics / norms, objectification, overwork, reality, redemption, Richard Armitage, sex, squee, the beard, the clothes, the eyes, the face, the fingers, the hands, the jaw, the lips, the mouth, the nose, the skin, the smolder, the stubble, thinking / feeling, why Armitage?, work
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, fanfic, fans, fantasy, heterosexual dystopias, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, Peter Jackson, Richard Armitage, Richard Armitage Central, silliness, The Armitage Army, the beard, the hair, The Hobbit, the hype, the muscles, the skin, Thorin Oakenshield
Posted in acting, Alex Track, Armitage anatomy, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, fan art, fan showcase, fanfic, fans, fantasy, fanvids, gestures, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Mulligan, John Porter, joy, Lucy Griffiths, Margaret Hale, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Richard III, Robin Hood, sex, silliness, Spooks, squee, Strike Back, the arms, the competition, the energy, the eyes, the face, the forearms, The Golden Hour, the hair, the hips, The Hobbit, the hype, the jaw, the legs, the lips, the mouth, the nose, the profile, the skin, the smolder, the stubble, the voice, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, voice work, why Armitage?