Archive for the 'the smolder' Category
Comparative Smoldering: An earlier Richard Armitage the BAFTA Tea Party pics brought to mind
• September 30, 2013 • 47 CommentsPosted in Armitage's body, career, gravitas, reality, Richard Armitage, squee, the clothes, the energy, the eyes, the face, the hair, the hype, the smolder
Tags: Richard Armitage
My Richard Armitage: An interpretation. Armitage meets “the media,” round one
• December 30, 2012 • 54 CommentsPosted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
Third Armitage Thanksgiving
• November 22, 2012 • 44 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Data: Richard Armitage “I” statements, part 2 (2004)
• October 12, 2012 • 13 CommentsPosted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, Bill Chatford, capitalism, career, Daniela Denby-Ashe, fans, fantasy, flow, Gaskell, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Malice Aforethought, Margaret Hale, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, the competition, the hype, the real Armitage, the smolder, thinking / feeling, violence, why Armitage?, Why me?, work
Has it really been six years?
• October 7, 2012 • 39 CommentsPosted in #ArmitageWatch, acting, action, Armitage as mirror, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, gratitude, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Porter, joy, Lucas North, me, Mr. Thornton, North & South, reality, Richard Armitage, Robin Hood, silliness, Spooks, Strike Back, the eyes, the face, the hype, the smolder, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Hobbit poster with Armitage that I hadn’t seen before
• September 27, 2012 • 24 CommentsPosted in Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, collateral attractions, dwarves, fans, fantasy, heterosexual dystopias, if I could interview Mr. Armitage, joy, me, objectification, Peter Jackson, reality, Richard Armitage, silliness, the beard, the chin, the competition, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the nose, the smolder, Thorin Oakenshield, why Armitage?, Why me?
In your eyes
• September 10, 2012 • 31 CommentsPosted in acting, action, anger, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Between the Sheets, fanfic, fans, fantasy, flow, gestures, Guy of Gisborne, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, joy, Lucas North, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Paul Andrews, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, the energy, the eyes, the face, The Hobbit, the muscles, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
Thinking about the consequences of Thorin cathexis: or, I’m no movie star
• September 8, 2012 • 20 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, loss, Lucas North, me, medieval, metawriting, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Spooks, sprezzatura, Strike Back, the Armitage morass, the arms, the beard, the competition, the energy, the eyes, the face, the feet, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the nose, the profile, the real Armitage, the shoes, the smolder, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
Cathecting to Oakenshield? or, a not-so-brief etiology of Thorinmania — TWO
• September 3, 2012 • 10 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gestures, gratitude, gravitas, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, squee, status transactions, Strike Back, the Armitage morass, the arms, the beard, the clothes, the energy, the eyes, the face, the fingers, the hair, the hands, The Hobbit, the hype, the jaw, the nose, the profile, the shoes, the shoulders, the smolder, the stubble, the thumbs, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
Me + Richard Armitage 