Archive for the 'the voice' Category
• June 15, 2014 •
3 Comments
Posted in audiobooks, career, Hamlet, Richard Armitage, the hype, the voice, voice work
Tags: Audies, audiobooks, Hamlet, Richard Armitage, Venetia
• June 14, 2014 •
2 Comments
Posted in audiobooks, capitalism, career, Hamlet, John Proctor, reality, Richard Armitage, The Crucible, the voice, theatre theatre, voice work
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• October 24, 2013 •
8 Comments
Posted in accents, acting, audiobooks, career, Lords of the North, pronunciation, Richard Armitage, The Hobbit, the voice
Tags: Lords of the North, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• December 24, 2012 •
28 Comments
Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Richard Armitage
• November 15, 2012 •
6 Comments
Posted in capitalism, dwarves, fans, fantasy, fanvids, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, Richard Armitage, silliness, swords, the beard, the energy, the eyes, the face, The Hobbit, the hype, the voice, Thorin Oakenshield, why Armitage?, Why me?
• November 6, 2012 •
15 Comments
Posted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
• November 4, 2012 •
30 Comments
Posted in accents, Armitage as mirror, Armitage as victim, Armitage on Armitage, dwarves, Guy of Gisborne, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, Robin Hood, silliness, the accent, The Hobbit, the hype, the mouth, the teeth, the tongue, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?
• November 1, 2012 •
2 Comments
Posted in acting, Armitage as victim, Armitage on Armitage, capitalism, career, dwarves, fans, fantasy, if I could interview Mr. Armitage, joy, me, objectification, reality, Richard Armitage, silliness, singing, squee, The Hobbit, the hype, the voice, Thorin Oakenshield, voice work, why Armitage?
• October 17, 2012 •
14 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
Me + Richard Armitage 