Archive for the 'thinking / feeling' Category
• August 21, 2014 •
33 Comments
Posted in anger, fear, forgiveness, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, Why me?
Tags: dad, grief, me, mourning
• August 20, 2014 •
15 Comments
Posted in action, forgiveness, Gary, heterosexual utopias, Into the Storm / Black Sky, joy, loss, morality / ethics / norms, redemption, Richard Armitage, thinking / feeling
Tags: Gary Fuller, Into the Storm, Richard Armitage
• August 17, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, fans, Gary, Hamlet, Into the Storm / Black Sky, John Proctor, me, morality / ethics / norms, reality, resentment, Richard Armitage, status transactions, The Crucible, thinking / feeling
Tags: fans, me, objectivity, reviews, Richard Armitage
• June 20, 2014 •
32 Comments
Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
Tags: Bay Psalm Book, cruelty, John Proctor, Richard Armitage, The Crucible
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 15, 2014 •
10 Comments
Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
Tags: Arthur Miller, genocide, Hannah Arendt, John Proctor, Richard Armitage, The Crucible, totalitarianism, Yael Farber
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• April 2, 2014 •
52 Comments
Posted in Armitageworld dogmas, career, drugs, if I could interview Mr. Armitage, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, the ethics, thinking / feeling, Urban and the Shed Crew, Urban Grimshaw and the Shed Crew, violence
Tags: Chop, drugs, Richard Armitage, Urban and the Shed Crew, Urban Grimshaw and the Shed Crew
• November 18, 2013 •
61 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fans, fear, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, reality, Richard Armitage, the ethics, The Hobbit, the hype, the real Armitage, thinking / feeling, Thorin Oakenshield, violence
Tags: bravery, guns, politics, Richard Armitage, truth
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
Me + Richard Armitage 