Archive for the 'violence' Category
• August 5, 2014 •
9 Comments
Posted in acting, action, Armitage on Armitage, attempts at bravery, filmmaking, Gary, morality / ethics / norms, reality, Richard Armitage, The Hobbit, the hype, violence
Tags: Into the Storm, Richard Armitage, the hype
• June 15, 2014 •
10 Comments
Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
Tags: Arthur Miller, genocide, Hannah Arendt, John Proctor, Richard Armitage, The Crucible, totalitarianism, Yael Farber
• June 7, 2014 •
16 Comments
Posted in Armitage as mirror, evil, heterosexual dystopias, John Proctor, me, morality / ethics / norms, Richard Armitage, The Crucible, the hype, theatre theatre, violence
Tags: John Proctor, Richard Armitage, Salem witch trials, The Crucible, witchcraft
• April 2, 2014 •
52 Comments
Posted in Armitageworld dogmas, career, drugs, if I could interview Mr. Armitage, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, the ethics, thinking / feeling, Urban and the Shed Crew, Urban Grimshaw and the Shed Crew, violence
Tags: Chop, drugs, Richard Armitage, Urban and the Shed Crew, Urban Grimshaw and the Shed Crew
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 18, 2013 •
61 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fans, fear, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, reality, Richard Armitage, the ethics, The Hobbit, the hype, the real Armitage, thinking / feeling, Thorin Oakenshield, violence
Tags: bravery, guns, politics, Richard Armitage, truth
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
• October 24, 2013 •
31 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
• April 15, 2013 •
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Posted in action, Armitage's body, Lucas North, me, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, the booty, the legs, violence
Tags: Richard Armitage
Me + Richard Armitage 