Archive for the 'why Armitage?' Category
• August 17, 2014 •
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Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
Tags: fans, Richard Armitage, stage door, The Crucible
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 13, 2014 •
10 Comments
Posted in Armitage as victim, Armitage's body, career, Guy of Gisborne, heterosexual utopias, John Proctor, objectification, Richard Armitage, Robin Hood, The Crucible, the shoulders, why Armitage?
Tags: Guy of Gisborne, John Proctor, Richard Armitage, Robin Hood, shoulder, The Crucible
• June 10, 2014 •
12 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, if I could interview Mr. Armitage, John Proctor, joy, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, status transactions, The Crucible, the ethics, the real Armitage, theatre theatre, why Armitage?, Why me?, work
Tags: fans, John Proctor, Richard Armitage, The Crucible
• June 10, 2014 •
27 Comments
Posted in Armitage's body, fans, heterosexual utopias, humility, John Proctor, joy, me, objectification, Richard Armitage, squee, The Crucible, the eyes, why Armitage?
Tags: eyelashes, John Proctor, Richard Armitage, The Crucible
• May 26, 2014 •
16 Comments
Posted in Armitage's body, gravitas, objectification, the clothes, The Hobbit, the legs, the shoes, why Armitage?
Tags: Richard Armitage, trouser break, Zegna
• May 26, 2014 •
87 Comments
Posted in Armitage as mirror, Armitage's body, Armitageworld dogmas, Chop, fantasy, Gary, gestures, Into the Storm / Black Sky, me, Richard Armitage, the clothes, the energy, the forearms, the legs, the shoes, Urban and the Shed Crew, why Armitage?, Why me?
Tags: Chop, Gary Fuller, Into the Storm, Richard Armitage, Urban and the Shed Crew
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
Me + Richard Armitage 