Richard Armitage, defiant
• March 11, 2017 • 2 CommentsPosted in Richard Armitage
Tags: Ian Macalwain, Richard Armitage, Ultimate Force, vocabulary
Early Richard Armitage scenes I like: Ian Macalwain in Ultimate Force 2.3
• January 10, 2014 • 10 CommentsPosted in Richard Armitage
Tags: acting, Chris Ryan, Henno Garvie, Ian Macalwain, masculinity, Pete Twamley, Richard Armitage, Ross Kemp, status games, Tony Curran
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Armitage “characters who go nowhere” [spoilers for previous and future roles]
• August 13, 2011 • 54 CommentsPosted in acting, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, Captain America, career, dance, Emil Hostina, evil, fans, fantasy, gestures, gravitas, Guy of Gisborne, Heinz Kruger, humiliation, humility, Ian Macalwain, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Bateman, John Porter, loss, Lucas North, Maya Lahan, me, microexpressions, morality / ethics / norms, Oleg Darshavin, Philip Turner, redemption, Richard Armitage, Robin Hood, Spooks, Strike Back, The Hobbit, the voice, Thorin Oakenshield, why Armitage?
Tags: acting, Captain America, Guy of Gisborne, Heinz Kruger, Ian Macalwain, Inspector Lynley Mysteries: In Cold Blood, John Bateman, John Porter, Lucas North, microexpressions, Philip Turner, Richard Armitage, Robin Hood, Spooks, the hobbit, Thorin Oakenshield, Ultimate Force