• November 3, 2014 •
20 Comments
Posted in Richard Armitage
Tags: Abigail Williams, acting, Anna Madeley, chemistry, Elizabeth Proctor, John Proctor, masculinity, Richard Armitage, Samantha Colley, status, status games, The Crucible, virility
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 25, 2013 •
8 Comments
Posted in acting, action, anger, Armitage's body, humiliation, John Porter, Richard Armitage, Strike Back
Tags: acting, Andrew Lincoln, Hugh Collinson, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
