
Posted in Armitage as victim, me, medieval, reality, Richard Armitage, silliness, the hype, the real Armitage
Tags: richard armitage
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: richard armitage
Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: richard armitage
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: richard armitage
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, career, fans, fear, flow, gratitude, gravitas, humility, loss, me, morality / ethics / norms, reality, redemption, Richard Armitage, Richard Armitage Online, the energy, the ethics, The Hobbit, the hype, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, work
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, capitalism, career, Claude Monet, equilibrium, fan art, fans, flow, gestures, gratitude, gravitas, if I could interview Mr. Armitage, loss, me, microexpressions, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, RichardArmitageNet.com, sprezzatura, the clothes, the energy, the eyes, the face, the fingers, The Hobbit, the hype, the real Armitage, the smile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in #ArmitageWatch, absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fans, fantasy, gratitude, humility, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard III, The Hobbit, the hype, the real Armitage, The Sunne in Splendour, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence


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