Archive for the 'acting' Category
• August 17, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, fans, Gary, Hamlet, Into the Storm / Black Sky, John Proctor, me, morality / ethics / norms, reality, resentment, Richard Armitage, status transactions, The Crucible, thinking / feeling
Tags: fans, me, objectivity, reviews, Richard Armitage
• August 5, 2014 •
9 Comments
Posted in acting, action, Armitage on Armitage, attempts at bravery, filmmaking, Gary, morality / ethics / norms, reality, Richard Armitage, The Hobbit, the hype, violence
Tags: Into the Storm, Richard Armitage, the hype
• July 8, 2014 •
7 Comments
Posted in acting, audiobooks, career, Chop, fans, Gary, Guy of Gisborne, Hamlet, Into the Storm / Black Sky, John Porter, John Proctor, joy, loss, me, reality, Richard Armitage, Robin Hood, selfies, status transactions, Strike Back, The Desolation of Smaug, The Hobbit, Thorin Oakenshield, Urban and the Shed Crew
Tags: fan selfies, Guy of Gisborne, Hamlet, me, Richard Armitage, Strike Back, The Crucible, writing
• June 30, 2014 •
27 Comments
Posted in acting, action, Armitage on Armitage, Into the Storm / Black Sky, me, morality / ethics / norms, Richard Armitage, the hype
Tags: Gary Fuller, Into the Storm, Richard Armitage
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
28 Comments
Posted in acting, collateral attractions, fear, Lee Pace, me, morality / ethics / norms, reality, resentment, Richard Armitage, sex
Tags: collateral attractions, Halt and Catch Fire, Lee Pace
• June 10, 2014 •
12 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, if I could interview Mr. Armitage, John Proctor, joy, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, status transactions, The Crucible, the ethics, the real Armitage, theatre theatre, why Armitage?, Why me?, work
Tags: fans, John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
26 Comments
Posted in acting, collateral attractions, gestures, Lee Pace, morality / ethics / norms, Richard Armitage, sprezzatura, status transactions
Tags: Halt and Catch Fire, Joe MacMillan, Lee Pace
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
Me + Richard Armitage 