Posted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
Posted in accents, acting, Alex Track, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, capitalism, career, collateral attractions, Dawn French, fan art, fanfic, fans, fantasy, fear, flow, Gaskell, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lords of the North, Lucas North, Margaret Hale, Marian, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, Peter Jackson, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, sex, silliness, Strike Back, the accent, the competition, The Golden Hour, The Hobbit, the hype, the muscles, the voice, thinking / feeling, Thorin Oakenshield, Uhtred of Bebbanburg, why Armitage?, Why me?, work
Posted in Alex Track, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, fans, fear, flow, gratitude, heterosexual dystopias, humiliation, loss, me, morality / ethics / norms, objectification, order / disorder, overwork, reality, redemption, Richard Armitage, silliness, the chin, the ears, the energy, the eyes, the face, the fingers, The Golden Hour, the hair, the hands, The Hobbit, the hype, the jaw, the lips, the mouth, the nose, the smile, the teeth, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Posted in Alex Track, Armitage's body, gestures, heterosexual dystopias, heterosexual utopias, me, objectification, Richard Armitage, silliness, the face, The Golden Hour, the lips, the mouth, the nose, the profile, why Armitage?
Posted in acting, Alex Track, Armitage's body, fantasy, gestures, heterosexual dystopias, heterosexual utopias, me, osculation, Richard Armitage, silliness, the face, the fingers, The Golden Hour, the kisses, thinking / feeling, why Armitage?
Posted in Alex Track, Armitageworld dogmas, audiobooks, Boon, career, Cleopatra, Doctors, fans, Georgette Heyer, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lords of the North, loss, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, The Convenient Marriage, The Golden Hour, theatre theatre, thinking / feeling, Tom Steele, Uhtred of Bebbanburg, Ultimate Force, voice work, work
Posted in acting, Alex Track, Armitage as mirror, Armitage as victim, Captain America, Cleopatra, Cold Feet, Epiphanes, Genevieve O'Reilly, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, Ian Macalwain, if I could interview Mr. Armitage, John Bateman, John Porter, John Standring, Laila Rouass, Lee, Lucas North, Lucy Griffiths, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Sparkhouse, Spooks, Strike Back, The Golden Hour, the kisses, the real Armitage, the smolder, thinking / feeling, TPTW: Too painful to watch, Ultimate Force, why Armitage?, work
Posted in acting, Alex Track, Armitage anatomy, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, fan art, fan showcase, fanfic, fans, fantasy, fanvids, gestures, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Mulligan, John Porter, joy, Lucy Griffiths, Margaret Hale, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Richard III, Robin Hood, sex, silliness, Spooks, squee, Strike Back, the arms, the competition, the energy, the eyes, the face, the forearms, The Golden Hour, the hair, the hips, The Hobbit, the hype, the jaw, the legs, the lips, the mouth, the nose, the profile, the skin, the smolder, the stubble, the voice, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, voice work, why Armitage?
Posted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?