Archive for the 'reality' Category
• August 21, 2014 •
33 Comments
Posted in anger, fear, forgiveness, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, Why me?
Tags: dad, grief, me, mourning
• August 20, 2014 •
1 Comment
Posted in action, Armitage on Armitage, Armitage's body, Armitage's friends and colleagues, dwarves, filmmaking, Gary, Into the Storm / Black Sky, objectification, reality, Richard Armitage, swords, The Battle of the Five Armies, The Hobbit, the hype, Thorin Oakenshield
Tags: Gary Fuller, Into the Storm, Max Deacon, Richard Armitage, the hobbit, the hype, Thorin Oakenshield
• August 20, 2014 •
11 Comments
Posted in action, Armitage on Armitage, Armitage's body, Armitage's friends and colleagues, career, dwarves, Gary, Into the Storm / Black Sky, objectification, Peter Jackson, reality, Richard Armitage, swords, The Battle of the Five Armies, The Hobbit, the hype, Thorin Oakenshield
Tags: Into the Storm, Richard Armitage, the hype
• August 17, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, fans, Gary, Hamlet, Into the Storm / Black Sky, John Proctor, me, morality / ethics / norms, reality, resentment, Richard Armitage, status transactions, The Crucible, thinking / feeling
Tags: fans, me, objectivity, reviews, Richard Armitage
• August 17, 2014 •
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Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
Tags: fans, Richard Armitage, stage door, The Crucible
• August 5, 2014 •
9 Comments
Posted in acting, action, Armitage on Armitage, attempts at bravery, filmmaking, Gary, morality / ethics / norms, reality, Richard Armitage, The Hobbit, the hype, violence
Tags: Into the Storm, Richard Armitage, the hype
• July 8, 2014 •
7 Comments
Posted in acting, audiobooks, career, Chop, fans, Gary, Guy of Gisborne, Hamlet, Into the Storm / Black Sky, John Porter, John Proctor, joy, loss, me, reality, Richard Armitage, Robin Hood, selfies, status transactions, Strike Back, The Desolation of Smaug, The Hobbit, Thorin Oakenshield, Urban and the Shed Crew
Tags: fan selfies, Guy of Gisborne, Hamlet, me, Richard Armitage, Strike Back, The Crucible, writing
• June 17, 2014 •
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Posted in career, collateral attractions, fantasy, John Proctor, me, medieval, reality, Richard Armitage, Richard III, The Crucible
Tags: John Proctor, Richard Armitage, Richard III, The Crucible
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
28 Comments
Posted in acting, collateral attractions, fear, Lee Pace, me, morality / ethics / norms, reality, resentment, Richard Armitage, sex
Tags: collateral attractions, Halt and Catch Fire, Lee Pace