Archive for the 'Daniela Denby-Ashe' Category
My Richard Armitage: An interpretation. Armitage meets “the media,” round one
• December 30, 2012 • 55 CommentsPosted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
Third Armitage Thanksgiving
• November 22, 2012 • 44 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Losing Armitage? or, Thorin aches and pains, part 4
• October 31, 2012 • 42 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, career, CBeebies, Daniela Denby-Ashe, fanfic, fans, fantasy, flow, forgiveness, Geraldine Granger, Harry Kennedy, Hermione Norris, heterosexual utopias, humility, if I could interview Mr. Armitage, John Standring, joy, loss, Lucas North, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, resentment, Richard Armitage, Ros Myers, silliness, Sparkhouse, Spooks, squee, status transactions, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Legenda 50: Stuff worth reading
• October 27, 2012 • 29 CommentsPosted in #ArmitageWatch, action, Armitage's body, capitalism, Captain America, career, Daniela Denby-Ashe, dwarves, fan art, fanfic, fans, fantasy, fanvids, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, joy, Legenda: Stuff worth reading, liking food, Lucas North, Margaret Hale, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Richard Armitage, RichardArmitageNet.com, Robin Hood, sex, silliness, Spooks, squee, swords, the arms, The Hobbit, the hype, the legs, the lips, the mouth, the muscles, the shoes, the smile, theatre theatre, Thorin Oakenshield, TORn, violence, why Armitage?, Why me?
Losing Armitage? or Thorin aches and pains, part 1
• October 20, 2012 • 36 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, career, Daniela Denby-Ashe, fan art, fanfic, fans, fantasy, fanvids, fear, flow, forgiveness, gratitude, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, The Armitage Army, the competition, The Hobbit, the hype, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Data: Richard Armitage “I” statements, part 2 (2004)
• October 12, 2012 • 13 CommentsPosted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, Bill Chatford, capitalism, career, Daniela Denby-Ashe, fans, fantasy, flow, Gaskell, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Malice Aforethought, Margaret Hale, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, the competition, the hype, the real Armitage, the smolder, thinking / feeling, violence, why Armitage?, Why me?, work
Richard Armitage to outsource cuticle nibbling
• September 27, 2012 • 36 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Daniela Denby-Ashe, fans, fantasy, heterosexual dystopias, heterosexual utopias, Into the Storm / Black Sky, me, Mr. Thornton, North & South, objectification, Richard Armitage, Robin Hood, self-parody, silliness, Spooks, Strike Back, the beard, the fingers, the hands, The Hobbit, the hype, the skin, the stubble, the thumbs, Thorin Oakenshield, why Armitage?, Why me?
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Armitage fumans, or: why Servetus loves Armitage when he smolders
• June 23, 2012 • 79 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, Daniela Denby-Ashe, evil, fans, forgiveness, Gently Go Man, George Gently, gestures, gravitas, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Ricky Deeming, silliness, the energy, the face, the hands, The Hobbit, The Impressionists, the lips, the mouth, the nose, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Me + Richard Armitage 