Archive for the 'Why me?' Category
• August 21, 2014 •
33 Comments
Posted in anger, fear, forgiveness, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, Why me?
Tags: dad, grief, me, mourning
• June 20, 2014 •
32 Comments
Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
Tags: Bay Psalm Book, cruelty, John Proctor, Richard Armitage, The Crucible
• June 15, 2014 •
10 Comments
Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
Tags: Arthur Miller, genocide, Hannah Arendt, John Proctor, Richard Armitage, The Crucible, totalitarianism, Yael Farber
• June 10, 2014 •
12 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, if I could interview Mr. Armitage, John Proctor, joy, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, status transactions, The Crucible, the ethics, the real Armitage, theatre theatre, why Armitage?, Why me?, work
Tags: fans, John Proctor, Richard Armitage, The Crucible
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• May 27, 2014 •
25 Comments
Posted in Armitage as mirror, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, overwork, reality, redemption, Why me?, work
Tags: change, creativity, me
• May 26, 2014 •
87 Comments
Posted in Armitage as mirror, Armitage's body, Armitageworld dogmas, Chop, fantasy, Gary, gestures, Into the Storm / Black Sky, me, Richard Armitage, the clothes, the energy, the forearms, the legs, the shoes, Urban and the Shed Crew, why Armitage?, Why me?
Tags: Chop, Gary Fuller, Into the Storm, Richard Armitage, Urban and the Shed Crew
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• October 24, 2013 •
31 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
• October 24, 2013 •
50 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, fear, flow, forgiveness, gratitude, humiliation, humility, if I could interview Mr. Armitage, joy, loss, Lucas North, me, morality / ethics / norms, reality, redemption, Richard Armitage, Spooks, the energy, The Hobbit, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: audition, Lucas North, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
