Archive for the 'voice work' Category
• June 15, 2014 •
3 Comments
Posted in audiobooks, career, Hamlet, Richard Armitage, the hype, the voice, voice work
Tags: Audies, audiobooks, Hamlet, Richard Armitage, Venetia
• June 14, 2014 •
2 Comments
Posted in audiobooks, capitalism, career, Hamlet, John Proctor, reality, Richard Armitage, The Crucible, the voice, theatre theatre, voice work
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• November 24, 2012 •
10 Comments
Posted in acting, action, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, comedy, disgust, dwarves, fans, fantasy, filmmaking, flow, gestures, gravitas, humiliation, humility, interiority, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, sprezzatura, status transactions, swords, the beard, the clothes, the ears, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, voice work, WETA workshop, why Armitage?, Why me?, work
• November 6, 2012 •
15 Comments
Posted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
• November 1, 2012 •
2 Comments
Posted in acting, Armitage as victim, Armitage on Armitage, capitalism, career, dwarves, fans, fantasy, if I could interview Mr. Armitage, joy, me, objectification, reality, Richard Armitage, silliness, singing, squee, The Hobbit, the hype, the voice, Thorin Oakenshield, voice work, why Armitage?
• September 22, 2012 •
27 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dance, fans, fantasy, flow, gestures, gravitas, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, sprezzatura, status transactions, Strike Back, swords, the beard, the chin, the energy, the eyes, the face, the hands, The Hobbit, the hype, the jaw, the legs, the profile, the voice, thinking / feeling, Thorin Oakenshield, violence, voice work, why Armitage?, Why me?
• August 16, 2012 •
42 Comments
Posted in accents, acting, audiobooks, collateral attractions, Damerel, fans, fantasy, flow, Georgette Heyer, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, loss, me, redemption, Richard Armitage, the energy, the voice, thinking / feeling, Venetia, voice work, why Armitage?, Why me?, work
• June 11, 2012 •
45 Comments
Posted in Alex Track, Armitageworld dogmas, audiobooks, Boon, career, Cleopatra, Doctors, fans, Georgette Heyer, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lords of the North, loss, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, The Convenient Marriage, The Golden Hour, theatre theatre, thinking / feeling, Tom Steele, Uhtred of Bebbanburg, Ultimate Force, voice work, work
• May 14, 2012 •
46 Comments
Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
Me + Richard Armitage 