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Posted in Armitage on Armitage, Armitage's body, Between the Sheets, gestures, heterosexual utopias, joy, loss, me, objectification, Paul Andrews, Richard Armitage, silliness, the fingers, the hands, the thumbs
Posted in Between the Sheets, fantasy, heterosexual utopias, me, morality / ethics / norms, objectification, off topic, Paul Andrews, reality, redemption, Richard Armitage, sex, silliness, the beard, the chin, the face, the real Armitage, the smile, the stubble
Posted in acting, Armitage as victim, Claude Monet, Dawn French, fans, fanvids, Geraldine Granger, Guy of Gisborne, Harry Kennedy, John Porter, Lucas North, Macbeth, Macduff, me, Paul Andrews, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, silliness, Spooks, Strike Back, the face, The Impressionists, the jaw, the mouth, the voice, Vicar of Dibley, why Armitage?
Posted in Between the Sheets, fans, fantasy, heterosexual dystopias, heterosexual utopias, me, morality / ethics / norms, objectification, Paul Andrews, Richard Armitage, sex, silliness, the feet, why Armitage?, Why me?
Posted in accents, Between the Sheets, career, collateral attractions, fantasy, me, Paul Andrews, reality, Richard Armitage, silliness, the accent, theatre theatre
Posted in Between the Sheets, equilibrium, fans, gratitude, Guy of Gisborne, Harry Kennedy, John Porter, John Standring, joy, Lords of the North, Lucas North, Margaret Hale, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, Paul Andrews, reality, redemption, Richard Armitage, Robin Hood, silliness, Sparkhouse, Spooks, Strike Back, the real Armitage, Uhtred of Bebbanburg, Vicar of Dibley, why Armitage?
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Posted in Between the Sheets, gestures, joy, me, morality / ethics / norms, Paul Andrews, Richard Armitage, silliness, the smile