Archive for the 'the accent' Category
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Armitage says “f”
• November 6, 2012 • 15 CommentsPosted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
Oakenshield unflappable
• November 4, 2012 • 30 CommentsPosted in accents, Armitage as mirror, Armitage as victim, Armitage on Armitage, dwarves, Guy of Gisborne, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, Robin Hood, silliness, the accent, The Hobbit, the hype, the mouth, the teeth, the tongue, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?
Leaked Jackson plan sparks concern among Armitage fangirls, doctors
• September 21, 2012 • 51 CommentsPosted in absolute utter unadulterated joy!, accents, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, fans, fantasy, Gary, gestures, gravitas, heterosexual utopias, humiliation, Into the Storm / Black Sky, me, objectification, Peter Jackson, pronunciation, Richard Armitage, silliness, squee, swords, the accent, the Armitage morass, the beard, the competition, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, Thorin Oakenshield, WETA workshop, why Armitage?, Why me?, work
Legenda 43: Stuff worth reading
• September 9, 2012 • 11 CommentsPosted in accents, acting, action, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, Cold Feet, collateral attractions, comedy, fan art, fanfic, fans, fantasy, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lucas North, Marian, me, medieval, objectification, Peter Jackson, reality, Richard Armitage, Richard III, Robin Hood, Ros Myers, silliness, Sparkhouse, Spooks, Strike Back, the accent, the competition, the eyes, The Hobbit, the hype, Thorin Oakenshield, Vicar of Dibley, why Armitage?, work
Legenda 42: Stuff worth reading
• September 1, 2012 • 45 CommentsPosted in accents, acting, Alex Track, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, capitalism, career, collateral attractions, Dawn French, fan art, fanfic, fans, fantasy, fear, flow, Gaskell, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lords of the North, Lucas North, Margaret Hale, Marian, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, Peter Jackson, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, sex, silliness, Strike Back, the accent, the competition, The Golden Hour, The Hobbit, the hype, the muscles, the voice, thinking / feeling, Thorin Oakenshield, Uhtred of Bebbanburg, why Armitage?, Why me?, work
Interlude: Servetus on blogging
• May 14, 2012 • 46 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
Major character Armitage
• December 30, 2011 • 13 CommentsPosted in accents, acting, audiobooks, fans, Georgette Heyer, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, me, polls, pronunciation, Richard Armitage, silliness, Sylvester, the accent, the voice, voice work, why Armitage?, Why me?
Enjoying the typos, or: Armitage throws down the gauntlet and Servetus picks it up
• December 25, 2011 • 130 CommentsPosted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, Captain America, fans, fantasy, Heinz Kruger, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, joy, me, morality / ethics / norms, musical theatre, Richard Armitage, self-parody, silliness, Sparkhouse, Strike Back, the accent, why Armitage?, Why me?
OT: Gaudete!
• December 12, 2011 • 13 CommentsPosted in accents, evil, forgiveness, gratitude, humiliation, humility, joy, loss, me, medieval, morality / ethics / norms, off topic, order / disorder, overwork, reality, redemption, Richard Armitage, the accent, The Hobbit, the real Armitage, thinking / feeling, Why me?