Archive for the 'Cold Feet' Category
Ministry of Richard Armitage Walks, chronological file, incomplete
• October 17, 2013 • 54 CommentsPosted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
My Richard Armitage: An interpretation. Armitage meets “the media,” round one
• December 30, 2012 • 54 CommentsPosted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
My Richard Armitage: An interpretation. An excursus on identity and personality in 2004
• December 22, 2012 • 28 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: Richard Armitage
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Protected: Armitage sleeps in [RPF; NC-17; pw=”onholiday”]
• October 10, 2012 • Enter your password to view comments.Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fanfic, fantasy, flow, heterosexual utopias, Into the Storm / Black Sky, joy, Lee, me, objectification, overwork, Richard Armitage, sex, silliness, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, the hips, the kisses, the lips, the mouth, the thumbs, thinking / feeling, why Armitage?, Why me?, work
Legenda 43: Stuff worth reading
• September 9, 2012 • 11 CommentsPosted in accents, acting, action, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, Cold Feet, collateral attractions, comedy, fan art, fanfic, fans, fantasy, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lucas North, Marian, me, medieval, objectification, Peter Jackson, reality, Richard Armitage, Richard III, Robin Hood, Ros Myers, silliness, Sparkhouse, Spooks, Strike Back, the accent, the competition, the eyes, The Hobbit, the hype, Thorin Oakenshield, Vicar of Dibley, why Armitage?, work
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Fan showcase: Gisbornesboy (part 1)
• July 30, 2012 • 78 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Cold Feet, collateral attractions, fan art, fanfic, fans, fantasy, fear, flow, forgiveness, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, joy, Lee, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, Strike Back, The Armitage Army, the competition, the energy, the eyes, The Hobbit, the kisses, the mouth, the real Armitage, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?, work
Legenda 33: Stuff worth reading
• July 1, 2012 • 19 CommentsPosted in acting, Alex Track, Armitage as mirror, Armitage as victim, Armitageworld dogmas, career, Claude Monet, Cold Feet, collateral attractions, fan art, fanfic, fans, fantasy, fear, Guy of Gisborne, Harry Kennedy, heterosexual utopias, John Porter, John Standring, Lee, Legenda: Stuff worth reading, Lucas North, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, Robin Hood, silliness, Sparkhouse, Spooks, the beard, the competition, The Hobbit, the hype, the smile, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, why Armitage?, work
Armitage magister?
• June 3, 2012 • 42 CommentsPosted in acting, Alex Track, Armitage as mirror, Armitage as victim, Captain America, Cleopatra, Cold Feet, Epiphanes, Genevieve O'Reilly, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, Ian Macalwain, if I could interview Mr. Armitage, John Bateman, John Porter, John Standring, Laila Rouass, Lee, Lucas North, Lucy Griffiths, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Sparkhouse, Spooks, Strike Back, The Golden Hour, the kisses, the real Armitage, the smolder, thinking / feeling, TPTW: Too painful to watch, Ultimate Force, why Armitage?, work