Archive for the 'the smile' Category
• August 20, 2014 •
4 Comments
Posted in Gary, gestures, gravitas, heterosexual utopias, Into the Storm / Black Sky, joy, Richard Armitage, squee, the eyes, the face, the smile
Tags: Gary Fuller, Into the Storm, Max Deacon, Nathan Kress, Richard Armitage
• November 30, 2012 •
40 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 28, 2012 •
22 Comments
Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?
• November 28, 2012 •
28 Comments
Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?
• November 27, 2012 •
19 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, capitalism, career, Claude Monet, equilibrium, fan art, fans, flow, gestures, gratitude, gravitas, if I could interview Mr. Armitage, loss, me, microexpressions, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, RichardArmitageNet.com, sprezzatura, the clothes, the energy, the eyes, the face, the fingers, The Hobbit, the hype, the real Armitage, the smile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 9, 2012 •
34 Comments
Posted in *ooof*, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fan showcase, fans, fantasy, Gaskell, gestures, gravitas, Guy of Gisborne, Guylty, heterosexual utopias, if I could interview Mr. Armitage, Jonas Armstrong, joy, Lucas North, Lucy Griffiths, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Robin Hood, silliness, Spooks, squee, the clothes, the energy, the eyes, the face, the forehead, the hype, the real Armitage, the smile, the stubble, thinking / feeling, why Armitage?, Why me?, work
Tags: fan showcase, Guy of Gisborne, guylty, John Bateman, Lucas North, photography, Richard Armitage, Robin Hood, Spooks
• October 30, 2012 •
14 Comments
Posted in anger, attempts at bravery, disgust, fear, humiliation, loss, me, morality / ethics / norms, reality, resentment, Richard Armitage, silliness, status transactions, the energy, the eyes, the face, the fingers, the forearms, the forehead, the lips, the mouth, the nose, the smile, thinking / feeling, violence, why Armitage?, Why me?, work
Me + Richard Armitage 