Archive for the 'Miss Marple: Ordeal by Innocence' Category
• June 24, 2012 •
8 Comments
Posted in acting, Armitage as mirror, Armitage's body, Armitageworld dogmas, attempts at bravery, career, collateral attractions, Epiphanes, fan art, fanfic, fans, fantasy, fanvids, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, interiority, John Bateman, joy, Legenda: Stuff worth reading, loss, Lucas North, Margaret Hale, Marian, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Philip Durrant, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Spooks, the beard, the competition, the energy, the eyes, the face, the forearms, the hair, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• March 14, 2012 •
39 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, John Porter, joy, Lucas North, Margaret Hale, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, Philip Durrant, reality, Richard Armitage, Richard III, silliness, Spooks, squee, Strike Back, the clothes, The Hobbit, the hype, Thorin Oakenshield, why Armitage?
• October 23, 2011 •
52 Comments
Posted in Armitage as victim, Armitageworld dogmas, attempts at bravery, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, John Porter, joy, loss, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, objectification, Philip Turner, reality, redemption, Richard Armitage, silliness, Strike Back, the real Armitage, thinking / feeling, why Armitage?, Why me?
• September 22, 2011 •
98 Comments
Posted in acting, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, fantasy, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Bateman, John Porter, John Standring, joy, Lucas North, Macduff, Margaret Hale, Maya Lahan, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Durrant, redemption, Richard Armitage, Robin Hood, Shakespeare Retold, Sparkhouse, Spooks, Strike Back, teacups, the eyes, the fingers, the hands, The Impressionists, thinking / feeling, why Armitage?, Why me?
• July 2, 2011 •
35 Comments
Posted in audiobooks, career, fans, Gaskell, Georgette Heyer, joy, Malice Aforethought, Miss Marple: Ordeal by Innocence, North & South, reality, Richard Armitage, Robin Hood, Shakespeare Retold, Spooks, Strike Back, Sylvester, The Convenient Marriage, The Hobbit, The Impressionists, Venetia, Vicar of Dibley
• April 8, 2011 •
12 Comments
Posted in acting, Armitage's body, evil, fantasy, gestures, gravitas, humiliation, Lords of the North, Lucas North, me, microexpressions, Miss Marple: Ordeal by Innocence, morality / ethics / norms, objectification, pronunciation, Richard Armitage, silliness, Spooks, status transactions, the chin, The Convenient Marriage, the eyes, the face, The Golden Hour, the hair, the hands, the jaw, the mouth, Ultimate Force, voice work
Me + Richard Armitage 