Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
Posted in acting, action, Armitage on Armitage, Armitage's body, capitalism, career, dwarves, fans, fantasy, filmmaking, me, Peter Jackson, reality, Richard Armitage, silliness, the competition, The Hobbit, the hype, the muscles, Thorin Oakenshield, violence, why Armitage?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, the booty, the hands, the hips, The Hobbit, the hype, the legs, the muscles, the shoes, why Armitage?
Posted in anger, Armitage as victim, Armitage's body, disgust, fans, fear, flow, heterosexual utopias, me, objectification, reality, resentment, Richard Armitage, silliness, squee, the booty, The Hobbit, the hype, the legs, the muscles, why Armitage?
Posted in #ArmitageWatch, action, Armitage's body, capitalism, Captain America, career, Daniela Denby-Ashe, dwarves, fan art, fanfic, fans, fantasy, fanvids, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, joy, Legenda: Stuff worth reading, liking food, Lucas North, Margaret Hale, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Richard Armitage, RichardArmitageNet.com, Robin Hood, sex, silliness, Spooks, squee, swords, the arms, The Hobbit, the hype, the legs, the lips, the mouth, the muscles, the shoes, the smile, theatre theatre, Thorin Oakenshield, TORn, violence, why Armitage?, Why me?
Posted in action, Armitage as victim, Armitage's body, fantasy, gestures, heterosexual utopias, John Porter, me, objectification, Richard Armitage, silliness, Strike Back, the arms, the fingers, the hair, the hands, the muscles, the thumbs, why Armitage?
Posted in acting, action, Armitage's body, gestures, Guy of Gisborne, humiliation, me, objectification, Richard Armitage, Robin Hood, the chin, the energy, the eyes, the face, the hair, the jaw, the lips, the mouth, the muscles, the nose, the profile, the teeth, violence, why Armitage?
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, flow, forgiveness, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, loss, me, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the arms, the energy, the face, the hair, the lips, the mouth, the muscles, the nose, the profile, the shoulders, thinking / feeling, why Armitage?, Why me?