Posted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Claude Monet, fantasy, fear, flow, forgiveness, Gently Go Man, George Gently, gratitude, Guy of Gisborne, Holliday Grainger, humiliation, humility, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, loss, Lucas North, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Ricky Deeming, Robin Hood, Sparkhouse, Spooks, Strike Back, the Armitage morass, the beard, the energy, the eyes, the face, the hair, the hands, The Hobbit, The Impressionists, the jaw, the shoulders, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in anger, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, evil, fans, fear, Gently Go Man, George Gently, humiliation, if I could interview Mr. Armitage, me, morality / ethics / norms, reality, Richard Armitage, Ricky Deeming, thinking / feeling, why Armitage?
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, Daniela Denby-Ashe, evil, fans, forgiveness, Gently Go Man, George Gently, gestures, gravitas, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Ricky Deeming, silliness, the energy, the face, the hands, The Hobbit, The Impressionists, the lips, the mouth, the nose, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, Gently Go Man, George Gently, gestures, gratitude, Guy of Gisborne, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Standring, Lucas North, Margaret Hale, Marie Lloyd, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, Philip Turner, reality, Richard Armitage, Richard III, Ricky Deeming, Robin Hood, silliness, Sparkhouse, Spooks, the clothes, the eyes, the face, the feet, The Hobbit, the muscles, the profile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Fanstravaganza, Richard Armitage
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, collateral attractions, fan art, fanfic, fans, fantasy, Gently Go Man, George Gently, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, liking food, Lucas North, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Richard III, Ricky Deeming, Robin Hood, silliness, the eyes, the face, The Hobbit, The Impressionists, Thorin Oakenshield, why Armitage?, work
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, career, Clarissa, Claude Monet, collateral attractions, Dawn French, Emil Hostina, fan art, fan showcase, fanfic, fans, fantasy, fanvids, Gently Go Man, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual utopias, Holliday Grainger, John Bateman, John Porter, joy, Lords of the North, Lucas North, Marie Lloyd, me, Meg, morality / ethics / norms, Mr. Thornton, North & South, objectification, Oleg Darshavin, reality, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the competition, the energy, the eyes, the face, the hype, The Impressionists, the real Armitage, the smolder, the voice, thinking / feeling, TPTW: Too painful to watch, Vicar of Dibley, voice work, why Armitage?