Archive for the 'George Gently' Category

Expecto Armitagium!

• September 14, 2012 • 21 Comments

Posted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Claude Monet, fantasy, fear, flow, forgiveness, Gently Go Man, George Gently, gratitude, Guy of Gisborne, Holliday Grainger, humiliation, humility, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, loss, Lucas North, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Ricky Deeming, Robin Hood, Sparkhouse, Spooks, Strike Back, the Armitage morass, the beard, the energy, the eyes, the face, the hair, the hands, The Hobbit, The Impressionists, the jaw, the shoulders, Thorin Oakenshield, why Armitage?, Why me?, work


What Jas said.

• July 10, 2012 • Leave a Comment

Posted in anger, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, evil, fans, fear, Gently Go Man, George Gently, humiliation, if I could interview Mr. Armitage, me, morality / ethics / norms, reality, Richard Armitage, Ricky Deeming, thinking / feeling, why Armitage?


Armitage fumans, or: why Servetus loves Armitage when he smolders

• June 23, 2012 • 79 Comments

Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, Daniela Denby-Ashe, evil, fans, forgiveness, Gently Go Man, George Gently, gestures, gravitas, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Ricky Deeming, silliness, the energy, the face, the hands, The Hobbit, The Impressionists, the lips, the mouth, the nose, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


F3, Day Six! One voice to thrill them all, and Armitage to bind them!

• March 17, 2012 • 29 Comments

Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, Gently Go Man, George Gently, gestures, gratitude, Guy of Gisborne, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Standring, Lucas North, Margaret Hale, Marie Lloyd, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, Philip Turner, reality, Richard Armitage, Richard III, Ricky Deeming, Robin Hood, silliness, Sparkhouse, Spooks, the clothes, the eyes, the face, the feet, The Hobbit, the muscles, the profile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
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F3, Day Four! One voice to thrill them all, and Armitage to bind them!

• March 15, 2012 • 33 Comments

Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, collateral attractions, fan art, fanfic, fans, fantasy, Gently Go Man, George Gently, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, liking food, Lucas North, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Richard III, Ricky Deeming, Robin Hood, silliness, the eyes, the face, The Hobbit, The Impressionists, Thorin Oakenshield, why Armitage?, work


If Richard Armitage played every role at a Friday faculty research seminar

• November 18, 2011 • 63 Comments

Posted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?


“Armigerous” Armitage: a career overview

• November 7, 2011 • 41 Comments

Posted in acting, Alex Track, Angus, Armitage on Armitage, Armitageworld dogmas, Captain America, career, Cleopatra, Epiphanes, fans, fantasy, George Gently, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Porter, John Standring, loss, Lucas North, Macbeth, Macduff, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Turner, Richard Armitage, Ricky Deeming, Robin Hood, Sarah Caulfield, Shakespeare Retold, silliness, Sparkhouse, Spooks, squee, Strike Back, the arms, the eyes, the face, the fingers, the hands, The Hobbit, the thumbs, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?


Stop cruelty. Don’t participate in it. Don’t let others think you tolerate it.

• November 1, 2011 • 44 Comments

Posted in Armitage as victim, Armitageworld dogmas, attempts at bravery, fanfic, fans, forgiveness, George Gently, humiliation, humility, loss, me, morality / ethics / norms, reality, redemption, Richard Armitage, Ricky Deeming, silliness, why Armitage?, Why me?


Armitage anatomy: epicranius or occipitofrontalis?

• October 19, 2011 • 24 Comments

Posted in Armitage's body, George Gently, gestures, John Porter, joy, me, microexpressions, objectification, Richard Armitage, Ricky Deeming, silliness, Strike Back, the eyes, the face, why Armitage?, Why me?