Posted in acting, Armitage as mirror, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, Daniela Denby-Ashe, fans, fantasy, forgiveness, Gaskell, gestures, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, humility, interiority, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, osculation, reality, redemption, Richard Armitage, status transactions, the eyes, the face, the kisses, the lips, the mouth, thinking / feeling, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Mr. Thornton, North & South, Richard Armitage
Posted in Brendan Coyle, Daniela Denby-Ashe, fans, Gaskell, heterosexual dystopias, heterosexual utopias, Higgins, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, objectification, osculation, overwork, Richard Armitage, Sinead Cusack, teacups, the energy, the eyes, the face, the kisses, the mouth, the nose, the profile, the smolder, the voice, thinking / feeling, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, collateral attractions, comedy, Dawn French, fan art, fanfic, fans, fantasy, fanvids, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, Holliday Grainger, John Porter, joy, Legenda: Stuff worth reading, loss, Lucas North, Maya Lahan, me, Meg, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, reality, Richard Armitage, Robin Hood, silliness, Spooks, Strike Back, the clothes, the competition, The Hobbit, the kisses, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, career, fans, fantasy, flow, Genevieve O'Reilly, gestures, grapefruit, heterosexual dystopias, heterosexual utopias, interiority, John Porter, Lucas North, me, morality / ethics / norms, objectification, osculation, reality, redemption, Richard Armitage, Sarah Caulfield, Spooks, the beard, the energy, the eyes, the face, the kisses, the lips, the mouth, the real Armitage, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, fans, fantasy, gratitude, heterosexual dystopias, heterosexual utopias, humiliation, joy, loss, me, morality / ethics / norms, objectification, order / disorder, osculation, overwork, reality, redemption, Richard Armitage, sex, the beard, the chin, the energy, the eyes, the face, the hair, the hands, the hips, the jaw, the kisses, the mouth, the muscles, the nose, the teeth, the voice, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, flow, heterosexual dystopias, heterosexual utopias, humiliation, joy, loss, me, morality / ethics / norms, objectification, osculation, reality, redemption, Richard Armitage, sex, silliness, the beard, the energy, the eyes, the hair, the hips, the kisses, the mouth, the nose, the teeth, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, fans, fantasy, flow, gratitude, heterosexual dystopias, heterosexual utopias, interiority, joy, loss, me, morality / ethics / norms, objectification, osculation, redemption, Richard Armitage, sex, the eyes, the face, the fingers, the hands, the kisses, the lips, the mouth, the nose, the teeth, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage as victim, Armitage's body, attempts at bravery, dreams, fantasy, heterosexual utopias, joy, me, objectification, Richard Armitage, the beard, the chin, the hair, the hands, the jaw, the kisses, the lips, the voice, thinking / feeling, why Armitage?, Why me?
Posted in acting, Armitageworld dogmas, attempts at bravery, audiobooks, collateral attractions, Dawn French, fan art, fan showcase, fanfic, fans, fantasy, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, Holliday Grainger, humiliation, humility, joy, Marian, me, medieval, Meg, microexpressions, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Spooks, Strike Back, The Convenient Marriage, the face, The Hobbit, the kisses, the lips, the mouth, the smolder, the voice, thinking / feeling, Vicar of Dibley, voice work, why Armitage?, Why me?