Archive for the 'the forehead' Category
• June 9, 2014 •
3 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
32 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 16, 2012 •
14 Comments
Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
• November 14, 2012 •
42 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, heterosexual utopias, loss, Lucas North, me, objectification, redemption, resentment, Richard Armitage, silliness, Spooks, the chin, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the profile, why Armitage?, Why me?
• November 9, 2012 •
34 Comments
Posted in *ooof*, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fan showcase, fans, fantasy, Gaskell, gestures, gravitas, Guy of Gisborne, Guylty, heterosexual utopias, if I could interview Mr. Armitage, Jonas Armstrong, joy, Lucas North, Lucy Griffiths, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Robin Hood, silliness, Spooks, squee, the clothes, the energy, the eyes, the face, the forehead, the hype, the real Armitage, the smile, the stubble, thinking / feeling, why Armitage?, Why me?, work
Tags: fan showcase, Guy of Gisborne, guylty, John Bateman, Lucas North, photography, Richard Armitage, Robin Hood, Spooks
• November 6, 2012 •
20 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, fans, fantasy, gravitas, if I could interview Mr. Armitage, interiority, me, objectification, reality, Richard Armitage, silliness, the beard, the energy, the eyes, the face, the feet, the forehead, the hair, the hands, The Hobbit, the hype, Thorin Oakenshield, why Armitage?, Why me?
• October 30, 2012 •
14 Comments
Posted in anger, attempts at bravery, disgust, fear, humiliation, loss, me, morality / ethics / norms, reality, resentment, Richard Armitage, silliness, status transactions, the energy, the eyes, the face, the fingers, the forearms, the forehead, the lips, the mouth, the nose, the smile, thinking / feeling, violence, why Armitage?, Why me?, work
• October 27, 2012 •
48 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, attempts at bravery, fear, gratitude, humility, Lucas North, me, morality / ethics / norms, reality, redemption, Richard Armitage, Spooks, the energy, the eyes, the face, the forehead, the lips, the mouth, thinking / feeling, why Armitage?, Why me?
Me + Richard Armitage 